Every audio control your receiver has, in one tab

The top card shows the current mode exactly as the receiver reports it. Below it, the modes are grouped into Movie, Music, Game and Pure, and only the modes the receiver will accept for the signal it is decoding right now are offered.

• Stereo, Dolby Surround, DTS Neural:X, Auro-3D, Auro Surround, Multi Ch Stereo and the rest appear as your chassis and the incoming stream allow.
• Audio Features underneath is a live readout, not a wish list: Neural:X, IMAX Enhanced, Cinema EQ, Center Spread, Loudness Management, Speaker Virtualizer and friends each show Active, Inactive or N/A.
• N/A means the current signal cannot use that feature. Tap the question mark beside it and the app explains which signal would.

• Dialog Enhancer - Off, Low, Medium or High. Lifts the centre-channel intelligibility without touching your calibration.
• Dynamic Range Compression - Off, Low, Mid, High or Auto. Squeezes the gap between whispers and explosions, which is what you want late at night.

DRC is the clearest example of how AVR Maestro handles a control the receiver will not accept. Compression data is carried inside a Dolby bitstream, so on a PCM, DTS or network stereo source there is nothing to compress. Rather than let you press a button that does nothing, the app greys the row and prints the reason: switch to Dolby Digital, Dolby Digital Plus, Dolby TrueHD or Dolby Atmos content to use it.

If you have run Dirac Live, the filters you exported sit in numbered slots on the receiver. AVR Maestro lists them by the name you saved them under, with the slot number underneath, plus an Off entry to run the preset with no filter at all. One tap swaps filters.

On a Speaker Preset that has no Dirac filter loaded, the page says so plainly instead of showing an empty list.

A real editor, not a toggle: nine bands from 63Hz to 16kHz, -20 to +6 dB, dragged on the graph. Choose All, Left/Right or Each speaker, use Copy to start from your measured Audyssey curve, Reset to flatten, and the pending-changes bar to apply.

The receiver runs room correction or the manual EQ, never both, so this page is locked whenever MultEQ or Dirac is running - and it names which one.

The full Graphic EQ guide →

Per-channel trim in dB for every speaker present in the current signal - Front Left, Front Right, Center, the surrounds, the surround backs, both subwoofers and the height layer, each with its short name underneath so there is no guessing which is which.

• Plus and minus nudge a single channel while you listen.
• Reset All puts every channel back to 0 dB.
• Bass Sync at the bottom time-aligns the LFE channel against the mains.

These are the live per-signal trims. The per-speaker reference levels stored on the Speaker Preset live on the Speakers tab instead, and the app explains the difference in the page's own info card.

On a chassis with IMAX Enhanced, the app exposes the whole menu rather than just the on/off:

• IMAX Mode - Auto or Off.
• Audio Settings - Auto follows the IMAX recommendation; Manual opens the four controls below.
• High Pass Filter - 40Hz through 250Hz.
• Low Pass Filter - 70Hz through 250Hz.
• Subwoofer - On or Off, and Subwoofer Output - LFE+Main or LFE.

• Auromatic 3D Preset - Small, Medium, Large, Speech or Movie. Picks the room and content character the upmixer aims at.
• Strength - 0 to 15, for how much height information Auromatic generates.
• Auro 3D Mode - Direct, or Channel Expansion.

These only apply while an Auro mode is selected on the Surround page, and the page is only present on a chassis that carries the Auro-3D decoder.